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In the all-important karaoke scenes, Everett - who knows how to dominate a stage - allows her voice to wobble, a performance of ambivalence. She hits her comic beats just hard enough and projects uncertainty with lovely subtlety. Even with strong performances from Hiller as Joel and Mike Hagerty as Sam’s dad, Ed, Somebody Somewhere lives and dies with Everett’s remarkable tenderness toward this other, imagined version of herself. They just do it in a direction that trends ever so slightly away from isolation, lurching and regressing and groping their way toward feeling okay.Īnd Everett is fantastic. Her and Joel’s lives both continue to meander. Somebody Somewhere is too honest to take either route. Sam lost a lot of time, but now she has found her people.Ī lesser show would veer in one of two directions: Sam would traverse the flimsy obstacles thrown in her way until some weepy conclusion (mom sobers up, tells her she loves her), or there would be a pivot toward darkness (choir practice collapses, Sam is caught in a loop of self-loathing). Egged on by Joel, Sam gets up and performs for the first time in years. Joel (Jeff Hiller), a co-worker at Sam’s test-grading job, approaches her: He remembers a performance she did in high school, and he soon invites her to what he calls “choir practice” - an unsanctioned late-night gathering at his church, where town oddballs (read gay, liberal, not white, or otherwise out of place) get together to sing karaoke and drink and feel safe. The show’s pilot episode is blunt, offering a quick found-families narrative that tries to abruptly stanch Sam’s pain. We also learn that Sam’s mother is an alcoholic, something the whole family tries to ignore. We learn that Sam originally moved back to Manhattan to care for one of her sisters, who then died and left Sam grieving and completely adrift, lacking purpose or close friends. This makes the show feel like an alternate history, one that wonders what might have happened if Everett had never left home, never found her voice after high school. One of her go-to songs was Janis Joplin’s “Piece of My Heart,” a number Everett’s character, Sam, also performs.
#New yorker bridget everett tv
(This is her first successful project for TV she made a well-reviewed but fruitless pilot for Amazon Prime in 2017.) Her path to a theater career came in part via her popular karaoke performances. Everett sings, does stand-up, and performs in shows that combine cabaret, storytelling, and big, raunchy spectacle. Somebody Somewhere, which premieres this Sunday, is a patently personal project for Everett, who also grew up in Manhattan, Kansas, but went on to become a fixture of the New York comedy-and-music scene. Now she’s in her 40s, with a job she dislikes, disconnected from everyone and unsure of what she wants or who she is. She may have tried to get out for a while. Sam does not fit in her hometown of Manhattan, Kansas.
#New yorker bridget everett series
As this montage plays, Connie Conway croons a ’50s tune called “Kansas State Line” about how he has never left home but is a “rover at heart.” After this opening to Somebody Somewhere - the new HBO series created by and starring comedian and cabaret singer Bridget Everett - there’s a hard cut to someone whose dream of leaving has failed: Sam Miller (Everett), who sits in a fluorescent-lit room, marking a standardized-test booklet and filing it among a sad stack of folders. A tractor with a faded American flag flapping in the foreground. and Bridget can be seen on the hit Netflix show “Lady Dynamite.A chicken. Their album, POUND IT, is available now on iTunes.īridget’s live television special Special “Bridget Everett – Gynecological Wonder” premiered on Comedy Central in the U.S. More recently, Bridget returned from a London residency at the famed Soho Theatre.Įverett and her band, The Tender Moments, perform regularly to sold-out crowds and have welcomed special guests as varied as Fred Armisen, Flea, Patti LuPone, Marc Shaiman, Peaches, and Jake Shears (Scissor Sisters). extensively and has taken comedy festivals by storm all over the world including The Oddball Comedy Festival, The Melbourne International Comedy Festival, The Latitude Festival, Montreal’s Just For Laughs, Bonnaroo, Outside Lands, Tenacious D’s Festival Supreme, and The San Francisco Sketchfest. Her film, theater and television credits include “Inside Amy Schumer,” “Two Broke Girls,” Sex And The City, “Trainwreck”, “Girls” and the off-Broadway smash “Rock Bottom”. BRIDGET EVERETT has been called “the most exciting performer in New York City” on the cover of the Village Voice, and “raw and riotous” by The New York Times.
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